Mark Nelson, photographer and developer of the patented Precision Digital Negatives process, says you always have to be on the lookout for an opportunity. Mark gave up a successful career in the mental health industry to pursue photography, and while he has a loyal following of galleries and collectors, he is known for a system for generating the best digital negatives for alternative processes. I asked them to test my method using a variety of alternative processes, and it worked for all of them. Then they encouraged me to write a book.

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Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Digital Negatives for palladium and other alternative processes by Ron Reeder. Digital Negatives for palladium and other alternative processes by Ron Reeder.

A complete manual for making high quality digital negatives for contact printing on alternative photographic processes. Describes two different methods, one using the Epson printer driver and the other using the Quadtone RIP. Get A Copy. Paperback , 42 pages. More Details Friend Reviews.

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6 Questions with Precision Digital Negatives Developer Mark Nelson

This is a page pdf description of that workflow. This file is an image file that is useful in calculating the screen exposure time for polymer plates. This is a cobbled-together stepwedge also called a target by some that is used in polymer plate calibration. This is a downloadable template file that assists in making even screen exposure strips on an A6 plate during the calibration process for polymer photogravure.


Digital Negatives for palladium and other alternative processes

Following is a relatively simple three step method for making digital negatives. With some of the more forgiving processes like gum and casein, only the first two steps may be necessary. The best transparency film substrates are made by Arista, Ink Press, or Pictorico; have some on hand. Also, keep or convert the image to 16 bit depth and Adobe RGB or its grayscale equivalent, gamma 2. The second step in making a digital negative is to adjust the overall contrast of the negative to match the contrast range of the emulsion. For example, a palladium emulsion requires a negative with rather high contrast more ink.


Digital negatives


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