Quick Links. Download this manual See also: User Manual. Table of Contents. Page 3 November 1, european contact: Your local dbx sales and service office or If you want to dispose this product, do not mix it with general household waste. There is a separate collection system for used electronic products in accordance with legislation that harman music Group requires proper treatment, recovery and recycling.

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Quick Links. Download this manual See also: Instruction Manual. Table of Contents. Dbx pro dual vacuum tube compressor owner's manual version 1. For more detailed information, refer to the specified pages. In the studio, the A can be used on everything from vocals to percussion. See Figure 3 above. The control curve of the RATIO potentiometer has been designed to provide total oper- ator control, with scale expansion at the subtle lower ratios for easy, repeatable settings.

If the A is placed before the EQ equalizer , for example, a potentially damaging boost in the EQ won't be seen by the A and the speakers may be damaged. De-Essing To apply de-essing to vocals i. Severe damage to system components may result. Patch Bay In the studio, the A may be connected to a patch bay to allow it to be used anywhere in the studio system. Most bal- anced 3-conductor cables have the shield connected at both ends.

This can result in ground loops which cause hum. Print page 1 Print document 21 pages. Cancel Delete. Sign In OR. Don't have an account? Sign up! Restore password. Upload from disk. Upload from URL.


dbx Pro 160A User Manual

For more detailed information, refer to the specified pages. In the studio, the A can be used on everything from vocals to percussion. It is also an excellent line driver, perfect for sending signals down long cables to power amp stacks or from remote broadcast trucks. See Figure 3 above.

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Applications, Operating controls, Dbx 160a compressor / limiter – dbx 160A User Manual

Since its introduction in the mid 's, the dbx series has been the world's most popular line of audio compressors. After the classic which is still used daily in many world class studios , came the , the X and the XT. Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Or use the A's Hard Knee compression and high ratios up to and beyond :1 and over 60dB gain reduction for bombproof protection against overload distortion in digital recording, P.

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dbx 160A User Manual


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